Significant Otherness

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	<title>Significant Otherness</title>
	<link>https://significantotherness.cargo.site</link>
	<description>Significant Otherness</description>
	<pubDate>Fri, 22 Oct 2021 10:52:25 +0000</pubDate>
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		<title>Bio</title>
				
		<link>https://significantotherness.cargo.site/Bio</link>

		<pubDate>Tue, 13 Apr 2021 14:53:09 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

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		<description>ABOUT


&#60;img width="5184" height="2912" width_o="5184" height_o="2912" data-src="https://freight.cargo.site/t/original/i/50b7dcc3eac61f2b15bdfffe54d92e348b4ea5a20a69e2889f42dcb8b50f060c/IMG_9946.JPG" data-mid="105126118" border="0"  src="https://freight.cargo.site/w/1000/i/50b7dcc3eac61f2b15bdfffe54d92e348b4ea5a20a69e2889f42dcb8b50f060c/IMG_9946.JPG" /&#62;


	RESEARCH - ART - COLLECTIVE&#38;nbsp;
	Significant Otherness Co-/lab (SO) is an interdisciplinary research-collaboration between Saskia Burggraaf and Anne Mul. Together they are composting culture. They are taking the shit we’ve been given and transforming it with intersectional activism, queerness, and reevaluating what it is to be a significant other. Their shared research practices evolve around the (re)production of care, culture and knowledge.&#38;nbsp; 

Their collaboration aims to seek out and interrupt ways in which hegemonic practices emerge and are (re)produced in different spaces. For Mul and Burggraaf, interrupting is not only identifying oppression but generating and (re)building practices of resistance, refusal and transformation. By intentionally reshuffling normative priorities, they attune to (different) practices for (different) bodies in (different) surroundings. To do this, Burggraaf and Mul draw from an interdisciplinary conceptual toolbox to gather, remix and compost research methods and analysis from art, feminist science and technology studies (STS), and social scientific research.&#38;nbsp; This can bloom into workshops, collaborative work practices, publications in various forms including writing, sound, image, text and performance. We’ve taken the cues that we need to create brave spaces to learn and grow in public; to dare to connect, take responsibility for change and put transformative justice politics into daily practice. 
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		<title>Chapter 1: Relational Distribition</title>
				
		<link>https://significantotherness.cargo.site/Chapter-1-Relational-Distribition</link>

		<pubDate>Tue, 13 Apr 2021 13:30:20 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

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		<description>Chapter 1: Relational Distribution

Cultures exist within cultures (family culture, work culture, friend culture, national culture, continental cultures). In a globalizing world, locational and digital contexts influence norms and values.
 Understanding (cultural) standards helps to make sense of varying and overlapping normativities.SO sees relational distrubution as the ways in which connection, (group) dynamics, (co-)dependence, (un-)intentional attachments and other forms of contact are (re)produced.

Relational distribution asks us to reflect on networks of care, the signifiers of accepted relational standards and normativities of “should”. 
adrienne marie brown writes: “the deepest pleasure comes from riding the line between commitment and detachment” &#38;nbsp;SO asks: What does this mean in relation to intentionality? How do we create networks of care? And what it means to practice love?This chapter is an ongoing public reflection on these questions. SO has been doing different forms of artistic research through writing, making video and forming workshops based on these questions and reflections.&#38;nbsp;
You can find examples of Prompts, writing exercises, sketches that fit this chapter, underneath this text. The newest are presented at the top of the page and additions will be added in the future, when we collaborate with artists, do workshops, or anything else related to the topics of this chapter.&#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Prompt 3: Learning in PublicMethodology: film, photography, interactive queer reading corner/library
Words: Learning, Love, Care, Relations, Education, Knowledge (production)&#38;nbsp;
Exhibition at Flinty’s during Queer Kunstlijn Haarlem


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&#38;nbsp;


	This work was made in the context of a youth centre/cultural centre of Flinty’s in Haarlem during the Queer Kunstlijn Exhibition, including works of Rowena Buur, Aileen Yee, Mojdeh Feili, Najiba Yasmin, and was curated by Anne Mul. This was the first of many queer hang outs and the first library we tried out. We will continue expanding our collection and sharing it in hang out and educational get togethers.&#38;nbsp;&#60;img width="2048" height="996" width_o="2048" height_o="996" data-src="https://freight.cargo.site/t/original/i/31cb0a597d1bdb05564b4327fe13f3920a4905150ff232459d4a7ef08c49c7d0/signal-2022-06-03-154704.jpeg" data-mid="144438646" border="0"  src="https://freight.cargo.site/w/1000/i/31cb0a597d1bdb05564b4327fe13f3920a4905150ff232459d4a7ef08c49c7d0/signal-2022-06-03-154704.jpeg" /&#62;


Prompt 2:&#38;nbsp;We don't learn to love in a linear path

&#60;img width="2831" height="3456" width_o="2831" height_o="3456" data-src="https://freight.cargo.site/t/original/i/98c45d49f59fd3737da64154365b56d19b1473c5b231b784d127eb669668ae60/relational-distribution2-with-text_versie-3.jpg" data-mid="110719055" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/98c45d49f59fd3737da64154365b56d19b1473c5b231b784d127eb669668ae60/relational-distribution2-with-text_versie-3.jpg" /&#62;
Methodology: writing exchange / collaborative working, collage

Words: Touch,&#38;nbsp;Love, Care,&#38;nbsp;
Political Resistance
Resilience, Radical honesty 

The form of resilience that comes to mind is hard, 
yet I want it soft and when I want it hard I want consent. 

Not to think 

you know what I mean, but 
learning to understand 			I can not know what you mean and 

learn beyond what I think I know.			 ~				Engaged. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; I can(t) ….

with(out) the other. 

What do you want to keep? We know healing pretty well 
because we got 
scarred 
trying to step the step, walk the walk, talk the talk,

but we can't. 		

Beyond can't is refusal// beyond refusal is I can but I won't. 

Love can not be framed yet 
we feel outsiders. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
							Is it 

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; okay

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; if that feels good? 

What can I tell about a group when

nothing feels as a path I should take? Honestly 

I have only honesty to give,&#38;nbsp;because I'm hurt and I can 

That 

deconstructed 

you into pieces too. 


Prompt 1: finding ways to be together

&#60;img width="2476" height="1398" width_o="2476" height_o="1398" data-src="https://freight.cargo.site/t/original/i/dea0a7b179b6b463ec81c070958be6170e53b93069cc1d72fec3ef7ba52ebe15/Schermafbeelding-2021-04-13-om-12.21.35.png" data-mid="110577266" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/dea0a7b179b6b463ec81c070958be6170e53b93069cc1d72fec3ef7ba52ebe15/Schermafbeelding-2021-04-13-om-12.21.35.png" /&#62;

Methodology: Blue screen video&#38;amp; collaborative writing &#38;nbsp;
	
Words: Touch, Care, Other centered epistemology, Re-making, Significant otherness
	In aggression, I can learn what a boundary is. Boundaries are for me. Me to make. Me to know. Me to build. Over time it builds up. Like the building of a home. Layers of materials, each layer providing possibility. Frame, electra, fluid pathways,&#38;nbsp; fireproofing, aesthetics. The small hairs on the top of my hand feel a boundary earlier than my brain. My body knows things I can't comprehend through thought. The other's brain- when touching does not compute- through neither hair, nor pores. I am open and closed. My pores are the only way to enter my skin without damaging it.(1) I am (un)willingly (im)permeable. The sweat from my palms remind me how I'm wired, reminding me I don't want to shake your hand as a gesture, as a pre-set. My body is electric, whatever I touch I change.(2) Yet the framework made me decide I do it anyway. Can I reframe? Can we change structure without destruction? The performative seems to teach me in public what I don't want. Performing helps me break down truths. I want to learn in public what I do want. I want to collaborate with others. Transgressing the automatic memory of performative organization. Let’s rot together, change together, decompose into nutrients to bloom together.
 (1)&#38;nbsp;Sarah Ahmed, Jackie Stacey, Thinking through the Skin, 2001
(2)&#38;nbsp;Octavia Butler, Parable of the Sower, 1993. 
(3)adrienne maree brown, Emergent Strategy, 2017


Prompt 0: Entanglement is a network of care
&#60;img width="2502" height="1394" width_o="2502" height_o="1394" data-src="https://freight.cargo.site/t/original/i/e337184aa0013fc201ffffa989e070dd2a475e2e4c899a487c6e61023d9a6a41/Schermafbeelding-2021-04-13-om-12.21.29.png" data-mid="110578466" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/e337184aa0013fc201ffffa989e070dd2a475e2e4c899a487c6e61023d9a6a41/Schermafbeelding-2021-04-13-om-12.21.29.png" /&#62; 
	Methodology: Dancing &#38;amp; bluescreen video, while writing simultaneously
&#38;nbsp;
Words: Touch, Care, Other centered epistemology, Re-making, Significant otherness

	When epistemology is beyond what can be grasped as...categorized, organized, linear, I can see your touch as caring, not a product. Not a burn, not chronological.(1) The 'normal' speed of time makes me juggle space in a timeframe so I forget to feel. It is a nice feeling not knowing where you start and where I began. Entanglement is a network of care. The violence of time changed a rhythm, yet does not make every other change the same. Your otherness is not mine and we could never end up being one, but that's okay. Separate together. Many touches marked how space was individualised yet hegemonic, and I want to see every layer of that, ugly or marked beautiful. We weave together; each individual rhythm, sound, note- every element creates our song. &#38;nbsp; 

What does it mean to hold each other, to touch each other, to be physically present with each other. Now turn that inwards. What does that mean to the self? 

We are significant others to one another.(2)

Our versions of ourselves are also significant others, and unknown to others. Or they think they know. Worlds hide inside my skin. 

Letting ourselves be and change and grow and bloom can lead to a remaking. A rediscovering, retelling stories otherwise. A redistributing of what's considered valuable. An active remaking of the self, caring for all of our internal and external others is a practice. When does a practice become a habit? When does a groove become a rut? When does doing and being become a normativity? What if trauma interrupted intuition, how do we repair without becoming 'better'?(3) Without casting forms to fit the masses, how do we resist the capitalist form of healthy growth? 

I hold you not the way in which I want to be held but rather ask, how do you want to be held? Can I hold you this way? Can we bloom together? Can we compost ourselves together?
(1)&#38;nbsp;Ivana Milojevic, Timing feminism, feminising time, 2007
(2)&#38;nbsp;Donna Haraway, The Companion Species Manifesto, 2003
 (3)&#38;nbsp; Marta Russel, Ravi Malthortra H. Capitalism and Disability, Social Register, 2002

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		<title>Chapter 2: Re-...</title>
				
		<link>https://significantotherness.cargo.site/Chapter-2-Re</link>

		<pubDate>Tue, 13 Apr 2021 13:30:20 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

		<guid isPermaLink="true">https://significantotherness.cargo.site/Chapter-2-Re</guid>

		<description>Chapter 2: Re-...

Prompt 0: Re:Disrupting as an act of care


Methodology: writing exchange, video, drawing, audio recording


The texts you hear in the video are parts of earlier writing of several chapters.The video was part of the exhibition
“Wij Zijn Nieuwe Vide” at Nieuwe Vide Artspace&#38;nbsp;We have used texts of ourselves, Erin Manning, and quotes of Deleuze. The concept ‘pleasure activism’ comes from adrienne maree brown.
 &#38;nbsp;


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		<title>Chapter 3: </title>
				
		<link>https://significantotherness.cargo.site/Chapter-3</link>

		<pubDate>Tue, 13 Apr 2021 13:30:21 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

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		<description>

IN THE MAKING


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		<title>Chapter 4: Making Time // Fuck Chronology</title>
				
		<link>https://significantotherness.cargo.site/Chapter-4-Making-Time-Fuck-Chronology</link>

		<pubDate>Mon, 07 Jun 2021 10:45:28 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

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		<description>
	
 IN THE MAKING - TRY OUT IN BLUE/FUCK CHRONOLOGY AS TRUTHTELLING


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		<title>Chapter 5: Every/No Body = Other</title>
				
		<link>https://significantotherness.cargo.site/Chapter-5-Every-No-Body-Other</link>

		<pubDate>Mon, 07 Jun 2021 10:47:11 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

		<guid isPermaLink="true">https://significantotherness.cargo.site/Chapter-5-Every-No-Body-Other</guid>

		<description>IN THE MAKING</description>
		
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		<title>Agenda</title>
				
		<link>https://significantotherness.cargo.site/Agenda</link>

		<pubDate>Fri, 22 Oct 2021 10:52:25 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

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		<description>Agenda20 aug - 12 sep 2021
Wij Zijn Nieuwe Vide @ Nieuwe Vide Artspace, Haarlem
	
RE: Disrupting as an act of care, 2021
	This video was a first attempt to combine the collaborative writing, audio, collage, the concept of remixing and video.&#38;nbsp;
We have used texts of ourselves, Erin Manning, and quotes of Deleuze. The concept ‘pleasure activism’ comes from adrienne maree brown.&#38;nbsp;


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		<title>Resources</title>
				
		<link>https://significantotherness.cargo.site/Resources</link>

		<pubDate>Tue, 13 Apr 2021 15:02:27 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

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		<title>BLOG</title>
				
		<link>https://significantotherness.cargo.site/BLOG</link>

		<pubDate>Tue, 13 Apr 2021 13:38:43 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

		<guid isPermaLink="true">https://significantotherness.cargo.site/BLOG</guid>

		<description>&#60;img width="4620" height="3456" width_o="4620" height_o="3456" data-src="https://freight.cargo.site/t/original/i/eaff697e892b3c1daea47a5b67a9295ada31dbc997b4ea37ce9780bc69646d53/profile.jpg" data-mid="105156617" border="0"  src="https://freight.cargo.site/w/1000/i/eaff697e892b3c1daea47a5b67a9295ada31dbc997b4ea37ce9780bc69646d53/profile.jpg" /&#62;︎ DATE 13.04.2021We danced our asses off while thinking.&#38;nbsp;
We took care of joy as well as seriousness.&#38;nbsp;&#60;img width="4620" height="3456" width_o="4620" height_o="3456" data-src="https://freight.cargo.site/t/original/i/eaff697e892b3c1daea47a5b67a9295ada31dbc997b4ea37ce9780bc69646d53/profile.jpg" data-mid="105156617" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/eaff697e892b3c1daea47a5b67a9295ada31dbc997b4ea37ce9780bc69646d53/profile.jpg" /&#62;
Our first day of working and writing and thinking together and officially putting it out there.

DATE 19.04.2021
&#60;img width="681" height="708" width_o="681" height_o="708" data-src="https://freight.cargo.site/t/original/i/0afa21127872cee7ea92174e1701c61d2a481ef4a89d62a82142da6112997f1b/LOVE-AS-POLITICAL-RESISTANCE.jpg" data-mid="110581512" border="0"  src="https://freight.cargo.site/w/681/i/0afa21127872cee7ea92174e1701c61d2a481ef4a89d62a82142da6112997f1b/LOVE-AS-POLITICAL-RESISTANCE.jpg" /&#62;


︎ DATE 07.11.2021

&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/5c4c0041d6975ecd069d6913dd1ae4a498a4c14d2a73dc9093eef35db8c944e0/signal-2022-06-03-151202.jpeg" data-mid="144440863" border="0"  src="https://freight.cargo.site/w/1000/i/5c4c0041d6975ecd069d6913dd1ae4a498a4c14d2a73dc9093eef35db8c944e0/signal-2022-06-03-151202.jpeg" /&#62;We exhibited our Learning in Public Queer library during the queer Kunstlijn Haarlem, at Flinty’s. We enjoyed it so much how young folks were reading for hours or just flipping through all the pages. We will try to expand the library over time!&#38;nbsp;


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		<title>Main page</title>
				
		<link>https://significantotherness.cargo.site/Main-page</link>

		<pubDate>Tue, 13 Apr 2021 13:30:21 +0000</pubDate>

		<dc:creator>Significant Otherness</dc:creator>

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		<description>INDEX -&#38;nbsp;Agenda


	&#60;img width="2476" height="1398" width_o="2476" height_o="1398" data-src="https://freight.cargo.site/t/original/i/dea0a7b179b6b463ec81c070958be6170e53b93069cc1d72fec3ef7ba52ebe15/Schermafbeelding-2021-04-13-om-12.21.35.png" data-mid="105110397" border="0"  src="https://freight.cargo.site/w/1000/i/dea0a7b179b6b463ec81c070958be6170e53b93069cc1d72fec3ef7ba52ebe15/Schermafbeelding-2021-04-13-om-12.21.35.png" /&#62;
	Chapter 1:
Relational Distribution
    Research on experiences of redistributing relations&#38;nbsp;

Read more...
	TOUCH - CARE - LOVE - POLITICAL RESISTANCE - RESILIENCE - RADICAL HONESTY - OTHER CENTERED EPISTEMOLOGIES - RE-MAKING - SIGNIFICANT OTHERNESS
Writing - video - workshops


	&#60;img width="1884" height="1426" width_o="1884" height_o="1426" data-src="https://freight.cargo.site/t/original/i/f780087f1943bbd47c4bec151ea6ef48224e9840b3a27343040aa044ea4e081d/Schermafbeelding-2021-04-09-om-19.16.27.png" data-mid="110579948" border="0" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/f780087f1943bbd47c4bec151ea6ef48224e9840b3a27343040aa044ea4e081d/Schermafbeelding-2021-04-09-om-19.16.27.png" /&#62;
	Chapter 2:
Re-...
IN THE MAKING
Read more...
	SKIN -  RETHINKING


&#60;img width="2534" height="1414" width_o="2534" height_o="1414" data-src="https://freight.cargo.site/t/original/i/05acf750ab6c58f42c4de4bb2facdf827b7b67d1cf82082cce3be58b51c238bc/Schermafbeelding-2021-04-13-om-15.34.10.png" data-mid="105111465" border="0"  src="https://freight.cargo.site/w/1000/i/05acf750ab6c58f42c4de4bb2facdf827b7b67d1cf82082cce3be58b51c238bc/Schermafbeelding-2021-04-13-om-15.34.10.png" /&#62;
	
Chapter 3:
Matter in Context

IN THE MAKING

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	CHOICE - CHANGE - PRIVILEGE


	&#60;img width="1087" height="696" width_o="1087" height_o="696" data-src="https://freight.cargo.site/t/original/i/f68def02c4ad0b6e3da52e4c5f886dee791eb727f79a8cb53cc0beeb6e230049/try-out-blue3.jpg" data-mid="105123163" border="0"  src="https://freight.cargo.site/w/1000/i/f68def02c4ad0b6e3da52e4c5f886dee791eb727f79a8cb53cc0beeb6e230049/try-out-blue3.jpg" /&#62;
	Chapter 4
Making Time / Fuck Chronology
    
IN THE MAKING
Read more...

	CHRONOLOGY - BEYOND LINEARITY&#38;nbsp;


	&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2b15ade5fa4e104518e11e79fadcdc8c21e0df34874b5733c04c40fdbd1dcace/try-out-blue.jpg" data-mid="105123093" border="0"  src="https://freight.cargo.site/w/1000/i/2b15ade5fa4e104518e11e79fadcdc8c21e0df34874b5733c04c40fdbd1dcace/try-out-blue.jpg" /&#62;
	Chapter 5
EVERY/NO BODY = OTHER
IN THE MAKING&#38;nbsp;


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	OTHER -&#38;nbsp;


	&#60;img width="4620" height="3456" width_o="4620" height_o="3456" data-src="https://freight.cargo.site/t/original/i/64a99d675ba1380a68db31e4862d299d1ca331b8f0f7c4f5f21713626444d790/profile.jpg" data-mid="105118902" border="0"  src="https://freight.cargo.site/w/1000/i/64a99d675ba1380a68db31e4862d299d1ca331b8f0f7c4f5f21713626444d790/profile.jpg" /&#62;
	
BLOG


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